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Chimera by mpkoz

Chimera by mpkoz

Art Blocks Collection: Curated Heritage Art Blocks Collection: Curated series 6 Project Description: Chimera is a mutation, its genetics a merging of past and present. New creative mediums almost always ingest those that came before. Pictograms and hieroglyphics turned into paintings, which eventually became moving images and photoreal graphics. Spoken words evolved into written text, eventually becoming complex screenplays, computer code, and a world of hyperlinks. Most mediums are not discarded, but combined or extended to incorporate new technology or ideas. When a new medium comes into existence, the capabilities of both the artist and viewer increase. The potential subjects within said medium can grow in complexity as well, some fully dependent on the medium that holds them. Other subjects are timeless, popping in and out of multiple movements and genres throughout history. An example of the latter is still life. From ancient carvings through contemporary art, scenes of commonality, beauty, and metaphor have persisted. Traditionally viewed as a type of technical practice or meditation (the bottom of the “hierarchy of genres”), some examples of still life have gone on to be among the most important works in art history. Chimera is a natural progression of still life. It is an old tradition in the very new medium of on-chain generative art, a movement that will have an enormous presence in the future. Chimera simultaneously reaches into the past while exploiting the capabilities of the present and seeks to represent a unique moment in time, a generation of art in between digital and physical realities, encapsulating where we came from and where we are going. NOTES: Chimera is graphically intensive. Modern hardware is recommended. Ensure that your browser has hardware acceleration enabled. The charitable portion of this release will be donated to various cancer research efforts. CONTROLS: “A”: Toggle animations “R”: Toggle autorotation “C”: Capture screenshot “H”: Capture HD screenshot (CPU intensive) — Thank you to all that participate in, share, or otherwise support this release. It means more to me than I can say.
Gazers by Matt Kane

Gazers by Matt Kane

Art Blocks Collection: Curated Heritage Art Blocks Collection: Curated series 5 Project Description: Since the dawn of humanity, the Moon's phases have fascinated humans, influencing any number of activities on Earth including ocean tides, seasons, harvests, migrations, hunting, crime, sleeping, sex, and has inspired countless works of art. The first lunar calendar, dated to 32,000 BC was discovered, drawn on animal bone in caves. It's believed hunters during the last Ice Age used these portable lunar calendars to anticipate the behavior of different animals like Mammoths. Since then, our Moon has been imprinted across all our ancient and modern cultures, even becoming the system from which our Gregorian calendar evolved from. In the present day, investors in crypto have used the Moon symbolically. What does it mean for all of us in crypto to be so ahead of our time, all while using the same metaphor of the Moon for the various measures of success and individual goals we collectively share in crypto? And how will the future appreciate our ambitions and perseverance within the present moment's growing pains on our way to mass adoption? These are some of the questions that Gazers ask. On the surface, Gazers function as a lunar calendar, algorithmically synching closely with Moon phases in the sky, joining the blockchain with one of humanity's longest running lineages in art. Gazers seeks to create a community of collectors celebrating the change of our perceptions that happen over time, our collective goals in crypto, and our love of color theory, astronomy, and generative art. What we are building in blockchain and NFTs will primarily be for the benefit of the future. As such, this artwork was designed to pace itself and speed up its frame rate over time, scaling into anticipated advancements in technology that will steadily allow the artwork to run at faster speeds while at larger scales. Each NFT starts out with the assignment of a date from the past 20 years. These dates correspond to events that happened under particular New Moons that shaped my path as an artist. This is the Origin Moon trait and how Gazers is in part a conceptual self portrait. Starting from the Origin Moon, each New Moon that arrives will speed up the potential animation of the NFT. For example, an NFT with a 20 year old Origin Moon might run at 20 frames per second, appearing as an animation. But one with an Origin Moon fresh from the sale will run closer to 1 frame per second, appearing more like a slowly evolving painting. Every moment, the frame rate of the artwork speeds up fractionally, indecipherable to our eyes. Stacking these advancements over time creates a generational evolution of experience. There is something undeniably beautiful about everything speeding up within our lifetimes, but the Moon, high above us, continues to carry on at the same meandering rate of 29.53 days in each cycle. Much like these blockchain technologies and NFT markets, this artwork was designed to be collected by the present, but appreciated in a greater sense than we can even imagine by the future. I created Gazers to be like a living artwork, to be lived with, and to not only have the artwork evolve over time but also the appreciation and experience of viewers. As I coded the work, I imagined it hanging on the wall of collectors, a fixture in their physical space. Collectors might spend a moment admiring their work, walk away for a couple hours, and then come back to be delighted, noticing the most subtle of shifts. Each layer of the work consists of pattern designs. With the passage of time, the thickness of the layered lines pulse and the direction a design moves will advance or rotate, changing our perception of color in the most subtle and optical of ways. Each day at midnight, each layer receives a new set of rules in terms of how to rise or shine over the next 24 hours. The result is color that rises and sets, echoing the change of light in our sky. My use of color has consistently been what I've been best known for across my 20 year artistic career. In all my work until now, I've made all the color and design choices as I've painted as a human in the moment. But in Gazers, I designed a complex system around color theory as I understand it, joining my talent for coding with my vision for color. Many NFT collectors of my work might be familiar with the additional experiences some of their NFTs unlock at my website. Rather than use a Gazers NFT to unlock a website, I decided this time to create rendering modes that unlock within the code over time. These additional modes of viewing are intended to help a collector better understand the architecture of their artwork's design and also benefit from greater enjoyment of it. The addition of these experiences should present an additional benefit to HODLing for some. Every 29 and a half days, we reach a Moon phase called the New Moon. This is when the dark side of the Moon is fully visible and no sunlight is reflected from the lunar surface back to Earth. In Gazers, each New Moon phase creates a New Moon design. In this artwork, the hash seed creates color theory and design rules. These rules are deterministic and dictate all the moons that will generatively be created into infinity. Time reveals our moons. Pairing time with deterministic generative code creates the ephemeral moment. We can all agree that looking at the Moon in the sky never seems to be the exact same experience twice, nor the exact same from different locations. I wanted to echo this nature in Gazers and emphasize the urgency and rarity of our present moment and how an artwork can capture this. As individuals, we all have our own version of the Moon and what reaching it means. Just as our goals change over time, often subtly, sometimes dramatically, so will our moons, creating a visual representation that might coincide with what's changing inside of us. In crypto, we are all ahead of our time. We are all gazers. And we are all waiting for our next Moon.
Kubikino by Carolina Melis

Kubikino by Carolina Melis

Art Blocks Collection: Presents Project Description: Kubikino is a project by artist Carolina Melis, with the support of creative coder Enrico Penzo. The work is informed by notions of choreography, modular pattern composition and character design. Kubikino is an idiosyncratic face, made of a combination of graphical elements and colours generated by code. Using an essential library of geometries - all deriving from the circle - and primary tones, the code randomly creates new faces resembling human physiognomy, animals and traditional masks. Through the deliberate reference to a face, Kubikino prompts contemplation on the traditional notions of identity, similarity, and persona, as well as the ongoing need to establish one's own representation within a community - from traditional masks to digital avatars. For centuries, human identity has been a source of cultural fascination, with the word "identity" stemming from the Latin term "identitas," signifying both "sameness" and “oneness.” Inspired by Bruno Munari's "Faces," a collection of abstract portraits created using basic geometric shapes and lines, Kubikino reflects on the simplicity, playfulness, and power of design to communicate across cultures and generations. Drawing upon the influential dance theories of Rudolf Laban and Merce Cunningham, Kubikino's device process for the creation of its faces is underpinned by a sophisticated framework of modular pattern composition. The project's generated output is organised into a grid-based structure, where each section corresponds to a phrase, and the relationship between the various sections collectively generates the final composition. Referencing Laban’s Movement Analysis, each section is paraphrasing LMA's four key components: body (loop), shape (direction), dynamic (colour), space (relationship within the space). Kubikino also adopts the principles of "chance" and "structured improvisation" articulated by avant-garde pioneers John Cage and Merce Cunningham in the 1960s. The Kubikino identity is constructed from a selected array of animated graphics, rules, and paradigms that correspond to motifs, scores, and ensembles found in conventional art forms such as dance, music, and paintings.

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